Eisheth Zenunim, Jerry’s Rep

LAST CARD: This is the last card to be added to this page. The amount of writing and development time was considerable in this project – each card was a mini project.

OVERALL: This card was one of the cards printed on metal and contained a QR code. The name Eisheth Zenunium came from an internet search of top popular demon names. This card is from a parallel set of directional series called ‘Jerry Directionals’. This set was similar to UX directionals but the signage was my name instead of UX.

(NEW) AI IMAGERY: This image is one of the top images due to the great composition. Unlike other card images, there is a lot of fire to show the extent and power of the wizard mage. Anytime a figure is emersed in fire without burning, there is a good understanding of the blowback that might be coming your way. The book of Jerry is hot! I needed to photoshop the QR code on the Jerry book. I was pleased that the QR codes work when reversed out of imagery. My only nit is the armor shine is rather white considering the amount of flame surrounding the figure but the white highlights do bring more focus to the figure.

Eisheth Zenunim, Jerry’s Rep

OVERALL: This card is from the UX Design series called ‘UX Directionals’. Based on the image, this card had two versions based on QR code location. These were created to show the focus of UX by having a fantasy character hold a UX sign. I didn’t note this earlier, but the ‘leave behind’ series also is differentiated by my logo where magic ‘faction’ watermark resides on normal Magic cards. My logo on a green background is on the back (see image below).

(NEW) AI IMAGERY: Double card variants! I really liked both of the layouts and ended up printed both. The signage in both versions produced by the AI is really interesting. This AI produced imagery giving the figure two sign objects. I added a QR code the the tablet. The overall composition is remarkable in how all the objects float well in the given small space. I needed a QR space and the extra ‘signage object’ worked well. Even with the distorted QR code, it still works. Most notable is the highlights on the figure suggesting there is a good amount of moonlight off-scene. The ‘fashionable armor’ while impractical for close combat, does have an interesting construction from a compositional viewpoint. As for armor engineering in medieval skirmishes we may want something better however, I’m assuming if you were wearing this armor, you’d have some mystical advantage which would stop most opponents from getting very close.